Agnes Etherington Art Gallery, 2019, Kingston, Between Chance and Order
Intro panel with J-Stroke (1984) commissioned by Ned Franks, whose bequest made the Franks Gallery possible, and two of his untitled/undated watercolours.
Periwinkle Grid Play (2015) and Yellow Grid Play (2015) on left and Increments (2015) on right.
Increments (2015) on left, Seven Pieces for Arvo Part (2015) centre wall, intro panel on right.
Oeno Gallery,2019, Bloomfield, 3rd Generation Abstraction, Toronto Painting 1970s to 1990s
Now it Is (1989) on left, April, Sunny Day (1988) on right.
Song for the Lark (1975), end wall.
Oeno Gallery, 2018, Bloomfield, Colour Break
Creatures of a Day (2017) on left, Heaven (2017) on right.
Desert Cloud (2017, Water (2017, Distribution (2017) on left wall, and What we Want (2017) on right.
Carbon (2017) on left and Fire (2017) on right
Artist talk on the ‘Paradise Paintings’, Colour Break exhibition.
Oeno Gallery, 2017, Bloomfield, Time Lapse: Survey of Paintings, 1960 – 2016
Time Lapse (1986) on left wall, Starry Night Yellow and Dark Energy (2002) centre wall and Fifteen Coats of Water (1998) right wall.
Fabliau (1970) on entry wall, Figures on Grey (1983) and La Reve (1985) on walls to right.
Fifteen Coats of Water (1998) on left, Black (2000) and Judd (1998) on right wall.
Everything and Nothing (2012) on left and Black (2000) on right.
September/October (2014) on left and Everything and Nothing (2012).
Modern Fuel Artist-Run Centre, 2016, Kingston, The Breathing Space Room and Related Works
From left – # 5 in Gold (2012), acrylic on canvas, 84″ x 54″, partial view of Breathing Space Room (2013), 7 pieces, acrylic on canvas, varying sizes, Eternal Hope (2012), acrylic on canvas, 60″ x 48″Eternal Hope (2012), acrylic on canvas, 60″ x 48″Partial view of Breathing Space Room installation, Everything and Nothing (2012), acrylic on canvas, 78″ x 78″Incident (2014), set of five, acrylic on canvas, 24″ x 24″
Clarke Art & Projects exhibition, 2016, Newburgh
From left – ABC (1999), acrylic on panel, 16″ x 16″ each, and Dark Energy (2002), acrylic on canvas, 20″ x 20″, and Starry Night Yellow (2002), acrylic on canvas, 20″ x 20″From left – Universal Order No. 1 and Universal Order No. 2 (1999), acrylic on canvas, set of 2, 24″ x 24″ each – Modular Quartet (2004), No. 1, 2, 3 & 4, acrylic on panel, 16″ x 16″ each
Walnut Contemporary exhibition, 2013, Toronto
(From left) The Dilemma (2012) and Breathing Space for Agnes (2012)(From left) Everything and Nothing (2012), #5 in Gold (2012), The Dilemma (2012), and Breathing Space for Agnes (2012)(From left) North Light (2012), Indigo for Kaz (2012), Everything and Nothing, (2012) and #5 in Gold (2012)(From left) Indigo for Kaz (2012), Everything and Nothing (2012), and #5 in Gold (2012)
Galerie Eric Devlin, 2008 exhibition, Montreal
The Logic of Ambiguity / The Ambiguity of Logic (2001), an installation set of 5-16” x 16” acrylic on plywood panels with vinyl text on painted wallThe Logic of Ambiguity / The Ambiguity of Logic, (2001), Winter Solstice (1996), and ABC (1999)Winter Solstice (1996), ABC (1999) and Judd (1998)
Galerie d’art d’Outremont (GAO), 2008 exhibition, Montreal
Colour and Meaning: an Incomplete Palette (2007), (set of thirty) acrylic/silkscreen/panel, 12″ x 12″ ea.Blue Skies (2008), 1’ x 1’, acrylic on wood panel with screen-printed text(From left) Colour and Meaning: an Incomplete Palette (2008), New Day Grid (2008) and Medieval Modernism (2004)Implications of the Grid (1996) and Table / Land (1998), acrylic on canvas.(From left), Urban Earth (1998), State of Being (1996), and Implications of the Grid (1996) (diptych), acrylic on canvas.
Milly Ristvedt 